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Original Artwork - MB059603

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Susan Hunter Petyarre - MB059603
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Artist Profile

Susan was involved in the Utopia Women's Batik. Her work is represented in 'A Pi…

Artist Profile

Artist Profile

Born:

1969

Language Group:

Alyawarre

Country:

Arawerre (Soapy Bore), Utopia Region, North East of Alice Springs, Northern Territory

Medium:

Acrylic on Canvas and Linen, Batik on Silk

Subjects:

Sugarbag (Native Honey), Awelye (Women's Ceremony), Women's Story, Awelye (Women's Ceremony) for Sugarbag (Native Honey)

Susan was involved in the Utopia Women's Batik. Her work is represented in 'A Picture Story', a project initiated by CAAMA in the late 80's. She also began painting on canvas in the late 80's and has been involved in many group exhibitions including the Robert Holmes à Court touring exhibition of silk batiks.

From a family of artists, Susan's mother, Molly Pwerle; her older sisters, Annie and Jessie; and also her older brother, Sandy Hunter, are all renowned artists. All have a refined style, often their whole painting will consist of patterns of individual fine dots, reflecting their story and Arawerre country. They also paint stories associated with Atnwengerrp and Irrweltye their mother's country.

COLLECTIONS
Mbantua Gallery Collection, Alice Springs, NT
The Holmes à Court Collection, Perth, WA
EXHIBITIONS
1989
A Myriad of Dreaming: Twentieth Century Aboriginal Art, Westpac Gallery, Melbourne, VIC
1989
Utopia Women's Paintings, the first Works on Canvas, A Summer Project, 1988-1989, S.H. Ervin Gallery, Sydney, NSW
1990
Utopia - A Picture Story, an Exhibition of 88 works on Silk by Utopian artists, Holmes à Court Collection, toured Eire and Scotland
1994
Central Australian Aboriginal Art and Craft Exhibition, Araluen Arts Centre, Alice Springs, NT
1997
Geschichtenbilder, Aboriginal Art Gallery Bahr, Speyer, Germany
1999
Aboriginal Art - Australien Heute, Deutsche Welle Kohn, Germany
1999
Australie - Art, Arts d'Australie Stephane Jacob, J.L.Amsler, Bastille, Paris
2004
Bilderwelten in Utopia. Holzschnitte und Gemaelde vom Aborigines, Staedtisches Kunstmuseum Spendhaus Reutlingen, Kunstmuseum Bayreuth, Germany
2006
Senior Women of Utopia, Gallery B, Brisbane, QLD
2006
Flinders Lane Gallery, Melbourne, VIC
2007
Standing on Ceremony, Tandanya National Aboriginal Cultural Institute, Adelaide, SA
2009
Aboriginal Art in Korea, Gongpyeong Art Space in collaboration with DACOU, Australian Embassy in Korea and Crossbay Gallery, Seoul, South Korea
2012
Aboriginal Artists in London, London, UK
2014
Indigenous Group Show, Without Pier Art Gallery, Melbourne, VIC
2015
Aboriginal Art, Wimbledon Village, United Kingdom
REFERENCES
Brody, A.
(1989) Utopia Women's Paintings The First Works on Canvas, A Summer Project 1988-89, exhib.cat., Heytesbury Holdings, Perth, WA
Brody, A.
(1990) Utopia: a Picture Story, 88 Silk Batiks from the Robert Holmes à Court Collection, Heytesbury Holdings, Perth, WA
Diggins, L.
(1989) A Myriad of Dreaming: Twentieth Century Aboriginal Art, exhibit. Cat., Malakoff Fine Art Press, North Caulfield, VIC

Description

Artist: Susan Hunter Petyarre

Size: 75 x 75cm

Title: Awelye (Women's Ceremony) for Sugarbag (Native Honey)

Medium: Acrylic on Canvas

Year Painted: 2022

Awelye (Women's Ceremony) for Sugarbag (Native Honey)

Susan's painting represents Awelye (Women's Ceremony) for sugarbag. Sugarbag is bush honey of Australian native bees.

The linear designs represent Awelye. These designs are painted onto the chest, breasts, arms and thighs. Powders ground from ochre (clays), charcoal and ash are used as body paint and applied with a flat stick with soft padding. They call this stick 'typale'. The women sing the songs associated with their Awelye as each woman takes her turn to be 'painted-up'.

Susan depicts leaves and seeds through dot work.

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